Many of you will have already spotted this blog about siring lines on the View from the racetrack grandstand blogspot posted in February this year – but the announcement today that Highview Tommy (son of Bettor’s Delight) will stand at Woodlands Stud has prompted me to revisit it and seek your views. And of course to share mine!
Take time to read his post, and mine, and send in your comments via “Comments” at the very bottom of this blog. (Update: already had a very interesting comment posted from Murray Brown, check it out).
It raises the question of when and if two of the top racehorse producing sires of recent times – Cams Card Shark (Bettor’s Delight) and Artsplace (Art Major) – will have the ability to continue their siring lines into the future.
It is remarkable that after so long at the top of his game, Bettor’s Delight has so few sons (such as Kenneth J, Betterthancheddar, and now locally Highview Tommy) as candidates to take over that dynasty. I blogged on that myself in September last year.
Likewise Art Major, although less tried in New Zealand, has had plenty of time internationally to throw up more than Art Official as a candidate for the Artsplace succession so far. I mean candidates that grab the commercial interest of breeders as well as their admiration for past deeds on the track. Sires than gain traction and can hold their service fees. Siring success is such a tough venture.
I can see Art Major’s fortune as a sire or sires changing locally if the crop of young Art Major colts racing here like Isaiah, Sky Major, Tiger Tara and Follow The Stars keep performing like they have done to date. But Kiwi breeders will want to wait a year or so until they show a step up to the Cups and Interdoms before getting too carried away.
The blog highlights the rise and rise of the Direct Scooter siring line, which only 15-20 years ago looked like it might be a goner. There’s the Matt’s Scooter / Mach Thee / Somebeachsomewhere line from the Northern Hemisphere and In The Pocket / Christian Cullen and Changeover giving every chance to the line in the Southern Hemisphere.
Another factor the “View from the racetrack grandstand” blog highlights is the increasing arsenal of the Western Hanover branch of Meadow Skipper’s line internationally – most strongly through Western Ideal / Rocknroll Hanover (neither of which had much influence directly here in New Zealand), most potently through the latter’s sons Rock N Roll Heaven and now A Rocknroll Dance who are both available in Australia and New Zealand.
And yet there are no guarantees, are there!
It would have been a brave person 15 years ago to predict that Western Hanover / Direct Scooter combination in ascendence now.
Siring lines turn up some lovely surprises. For example, the strongest Meadow Skipper line we have today was founded by Oil Burner whose one outstanding son at stud was No Nukes – no other son of Oil Burner reached anything like No Nukes’ siring success. (Downunder we had Oil Burner’s son Devil’s Adversary standing for about 10 years from 1992, and he got a couple of decent books but didn’t show up much and dropped right away).
In the same way, it only took one of No Nukes’ sons – Western Hanover – to open up a range of strong branches that are still evolving and sorting themselves out. Will the Western Ideal branch keep growing? Or will a “dark horse” like Shadow Play or Well Said turn out to be Western Hanover’s most successful siring son?
Cam Fella, born in the same year as No Nukes, appeared to have many more successful siring sons to carry on his legacy – Cambest, Camluck, Cam’s Card Shark, Presidential Ball…. and yet he is struggling now with just one descendant – Bettor’s Delight – as a top sire, and no proven inheritors yet.
What does this tell us? That it takes just one, just one, to turn a line’s fortunes around.
And that one “sire of sires” can come from the less-than-obvious sources.
As breeders, we have a role to play in all this. Thoughtful breeding and giving quality new sires an opportunity are two ways we can contribute.
In another 15 years we might be looking back and saying: “Well, you’d never have guessed a son of Mister Big would reignite the Artsplace line.” Or perhaps: “Cam Fella line was almost gone until those sons of Roll With Joe really stood up to be counted!” Or even: “So it’s the Changeover line rather than Christian Cullen that’s blossoming down here.” Or in my own dreams: “Thank heavens for Tintin In America, keeping that Bret Hanover line alive, and his outstanding son Tantan has already left 50% winners to foals.”
What do you think?
b4breeding 